Harmony Korine at Gagosian,Art in America, June 2019

Hampton Fancher’s The Wall Will Tell You,” Cineaste, May 27, 2019

Theodore Roszak’s The Making of a Counter Culture at Fifty,” The New Statesman, May 14, 2019

The Astronomical Force and Zen Cool of Leonard Cohen,” The Forward, May 8, 2019

Christian Petzold’s Serious Music” (Transit and Talking Heads), 3:AM Magazine, May 7, 2019

Dance of the Spider Woman” (Louise Bourgeois), The Wall Street Journal, May 3, 2019

R. Crumb at David Zwirner,” Art in America, May 2019

Gerhard Richter, Steve Reich and Arvo Pärt put on a show,” Apollo, April 26, 2019

“Inkblots on Stone” (The Lascaux caves), Lapham’s Quarterly Online, April 1, 2019

“What The New Left Could Learn From The Old Left” (Michael Walzer), The Forward, April 1, 2019

Grey Areas” (Robert Mapplethorpe), Apollo, March 2019

A Final Sweeping(Irving Sandler), The Wall Street Journal, February 15, 2019

The New Norton Museum of Art,” Apollo, February 8, 2019

American Drama: The 56th New York Film Festival,” Senses of Cinema, December 2018

For An Art Rebel, Martha Rosler Proves Surprisingly Orthodox,” The Forward, December 19, 2018

Starry Eyed” (Van Gogh on film), TANK, December 3, 2018

A Star is Birthed” (The Lonely Island), Reverse Shot, November 7, 2018

Dignity and Divinity in the Portraits of Charles White,” Apollo, November 5, 2018

Against Immersion” (Virtual Reality), TANK, October 18, 2018

On Osip Mandelstam’s Journey to Armenia, The Millions, October 8, 2018

Reading the Dreams of Robert Crumb,” Apollo, September 27, 2018

What Invisibility Looks Like” (Trevor Paglen and Terry Winters), Public Books, September 17, 2018

Eugène Delacroix and the Jews of North Africa,Tablet, September 13, 2018

What Have I To Fear?” (Paul Schrader), 3:AM Magazine, September 4, 2018

Stanley Kubrick's Early Photography,” The Forward, August 29, 2018

Mandrakes, Dragons, Jews, and Other Monsters of Medieval Times,” The Forward, August 13, 2018

A Whole New Language” (Tom Kristensen), Asymptote, July 2018

The Melodramatic, Bloated, Indulgent Brilliance of Luchino Visconti,” The Forward, June 13, 2018

Useless Machines” (Alexander Calder), 3:AM Magazine, May 29, 2018

Humanistic Anatomy” (Santiago Ramón y Cajal), The Point, April 3, 2018

Against Everything: Club 57 at MoMA,” The Quietus, March 29, 2018

Soderbergh’s ‘Mosaic’: The Future of TV?, Public Books, February 20, 2018

Long, Hard Looks” (James Benning), Reverse Shot, January 13, 2018

“The Real Fake News” (Newscaster Cameos on film), The Rumpus, January 4, 2018

New York Film Festival 2017: Robert Mitchum + Main Slate,” Senses of Cinema, December 2017

Time Unrefined” (Robert Crumb), Reverse Shot, November 10, 2017

Of Walls and Wanderings” (Agnès Varda), The Los Angeles Review of Books, November 9, 2017

“Raw Material” (Eka Kurniawan), Asymptote, October 2017

“Mr. P. Goes to Town” (Norman Podhoretz), 3:AM Magazine, September 20, 2017

Start Spreading the News: Summer of Sam, Senses of Cinema, September 2017

Good Time and the Safdie Brothers,” Fandor Keyframe, August 9, 2017

“Song of Herself” (Georgia O'Keeffe), 3:AM Magazine, June 20, 2017

“Outta Order” (Al Pacino), Fandor Keyframe, June 7, 2017

”Two for One” (Terry Gilliam), Reverse Shot, May 23, 2017

”The Parallax View” (Ken Jacobs), Reverse Shot, January 20, 2017

“Surface Pleasures” (Agnès Varda and painting), Reverse Shot, December 14, 2016

“And So It Goes” (Kenneth Lonergan), Reverse Shot, November 17, 2016

”Adaptation: Patricia Highsmith on Film,” Film Comment, November 25, 2015

“Song of India” (Paul Thomas Anderson), Reverse Shot, November 20, 2015

Best of Enemies” (Gore Vidal and William F. Buckley), Afterimage, November 19, 2015

“The Soderbergh Variations: 2001 Recut,Film Comment, April 20, 2015