The Color Red, The New Yorker, February 10, 2025
Giorgio Morandi, The New Yorker, February 3, 2025
Mandalas, The New Yorker, January 2, 2025
John Singer Sargent, The New Yorker, November 21, 2024
Tattoos, The New Yorker, November 11, 2024
Trecento Sienese Painting, The New Yorker, October 16, 2024
Shaker Drawing, The New Yorker, October 7, 2024
Monet, The New Yorker, September 16, 2024
Anni Albers, The New Yorker, April 12, 2024
Emily Mason, The New Yorker, January 17, 2024
The Sphere, Michael Heizer, and Immersion, The New Yorker, November 13, 2023
Georgia O’Keeffe, The New Yorker, May 8, 2023
Agnès Godard, Artforum, March 30, 2023
Edward Hopper, The Baffler, November 2, 2022
Movies and Distractions, Astra, April 27, 2022
The Asphalt Avant-Garde (Highways as Art), Art in America, February 28, 2021
Against the Contemporary American Essay, The Drift, January 31, 2022
Harold Rosenberg, Art in America, October 11, 2021
“Thinking the Worst of Ourselves” (Evil in Arendt / Milgram / Gansberg), The Hedgehog Review, Spring 2021
“A Brief History of ‘The System,’” 3 Quarks Daily, October 19, 2020
“On Stanley Kubrick,” The Forward, August 18, 2020
“What Ever Happened to Chicken Fat?” (Contemporary Comedy), 3 Quarks Daily, July 27, 2020